One of my last and favorite shoots of 2015 was to photograph Korea’s first female astronaut, Soyeon Yi, for Cosmopolitan.com. Yi made headlines in 2008 as she conducted research for 10 days at the International Space Station. Today she volunteers at The Museum of Flight here in Seattle. Big thanks to Soyeon for her time, my assistant Kyu Han for wheeling lights around, and The Museum of Flight for their gracious accommodation!
I have only photographed a few people more than once for a portrait so the chance to point my camera toward the CEO of Amazon again for a few minutes made for a pretty surreal morning earlier this month. Jeff Bezos convincingly pretended to remember me as we worked through a few setups and I asked him if Donald Trump ever replied to his tweet offering a rocket ship ride (he hasn’t) and he let out of one of his trademark chuckles. He takes direction well and laughed at my dumb jokes. Perfect subject. Before I knew it, an assistant was calling time and he thanked me and walked out. One of those mornings that are way too early and over way too quickly. Photographed for Welt am Sonntag, a German newspaper http://welt.de Big thanks to my assistant @jovellephoto too for her help. This is one of my last tear sheets of the year and it was an awesome time.
The electronic music duo Odesza is embarking on their second world tour after playing one of their first shows in a small college town just three years ago — their meteoric rise is profiled in a cool cover story from Seattle Weekly that I got to shoot a few months ago but is out this week. Clayton Knight and Harrison Mills graduated from Western Washington University around the same time that I did, so we had a lot to chat about and it was a fun shoot to do in downtown Seattle. These guys were super nice and very generous with their time, and the photos turned out great. Give their music a listen — jam out — and enjoy the rest of your week!
Opposing sides of the urban density debate | Roger Valdez and John Fox for Seattle Weekly | Seattle editorial photographer
Seattle is debating how to approach the issues of urban density and housing development and, reasonably, everyone has something to say. I was tasked with photographing two advocates on opposing sides for the Nov. 10 Seattle Weekly cover story. A interesting and thorough article by Casey Jaywork explains the topic much better than I can. And check out the cool illustrations by Art Director Jose Trujillo for the piece! Big thanks to Roger Valdez and John Fox for being generous with their time!
The London Daily Telegraph commissioned me to photograph Amazon CEO Jeff Bezos at one of the company’s offices down in the burgeoning technology hub of South Lake Union. Talk about a dream shoot! Originally I was only going to have 30 minutes to set up but after a flurry of emails I was very fortunate to be able to get everything dialed in well in advance of the shoot with my assistant, Dan Bassett. I really had no idea what to expect, but once Jeff walked in, he was great to work with, totally affable and easy to direct. I ended up having about as much time as originally granted, which when it comes to a CEO shoot, rarely happens. We moved between four setups in the 14-minute shoot and, when it was all over, Jeff shook my hand and thanked me. “You’re a master of efficiency,” he said.
Had a blast setting up a mini-studio inside the crowded and buzzing atmosphere of the Seattle Tattoo Expo for one of my oldest clients, The Seattle P-I. Photographer Joshua Trujillo gave me complete freedom on the direction of the work and I decided to go for a high-key, intimate vibe with the portraits.
Back in May I had a cover shoot from Seattle Weekly to photograph Gravity Pay CEO Dan Price at the payment processing company’s headquarters in Ballard. The story was held until now to be included in the Best Of Issue. When I photographed him, Price’s decision to offer a starting salary of $70,000 per year to all of his employees was met by an immediate deluge of international attention. He cut his own multimillion-dollar pay to be able to finance the move. Of course not everyone was happy with the announcement, but the business is seeing an increase in sales and Price says he stands by the principles of making such a transition: for all his employees to have an actual livable wage in the Northwest. Price was humble, present, and generous with his time, and had no problem posing for a few shots with the coffee cup prop we brought in. I gave it to him after the shoot! Assisting by Ian Bates.
Seattle Weekly’s art director Jose Trujillo commissioned me for an awesome piece in the paper’s Best Of Issue that would send up the idea of The Wimps, which won Best Punk Band, as this exclusive, uptight group barely making room in their day for the story. As luck would have it, Matt, Rachel and Dave are actually nice people and were game for the idea: Jose wanted to have the band enjoying a spa day somewhere kind of dirty — could it be in an alleyway? I scouted a few hours looking for the right sketchy/usable spot. I checked out parking lots and back streets in Capitol Hill, SoDo, Georgetown, Pioneer Square, the ID and Ballard. With hours to the call time I managed to spot a perfectly questionable, graffiti-covered sidewalk with an absurd amount of garbage strewn about. I did a slow roll. There were boxes of beer upturned, bottles everywhere, and someone had gotten ahold of some chalk. I liked the spot immediately and wondered who would litter like that, then parked the car and waited for the team to assemble. Under some nice intense sunlight and with the help of Seattle stylist Tristan Weholt who sourced and staged everything else (and made a plate of guitar-shaped tea sandwiches and refreshing fruit-infused water to boot), plus the help of good friend Matt McKnight assisting, we got to work transforming this SoDo backlot into our makeshift alley spa.
Last month I had a great shoot with a Seattle painter by the name of Adream for a Q & A story in Northwest Leaf. Adream de Valdivia has been painting since he was a little kid and draws inspiration from his heritage, mathematical patterns and religious symbols. He has been commissioned to create large-scale murals through the Vulcan Foundation and is becoming well-known for his intricate, psychedelic artwork. Adream was very generous with his time, and as the Capitol Hill Block Party blared into his 3rd-floor studio just a block away, we talked about our paths to creativity and traded stories about the challenges of making it as a freelance artist around here. Check out more of his beautiful artwork at Adream Studios and on Instagram @Adream3000