One of my final assignments of 2015 was to photograph BioViva CEO Liz Parrish for OZY.com, which just published a five-part story on the biggest ideas of the future coming out of Silicon Valley. Parrish, 44, who heads a Seattle-based gene therapy research company, recently traveled to the country of Colombia to receive experimental stem cell transplants designed to reverse signs of aging — it was a controversial operation rebuked by some as unethical human experimentation. A colleague gave her only days to live several months ago, she said. Parrish said she believes that the issue of aging is too important for science to ignore.
I have only photographed a few people more than once for a portrait so the chance to point my camera toward the CEO of Amazon again for a few minutes made for a pretty surreal morning earlier this month. Jeff Bezos convincingly pretended to remember me as we worked through a few setups and I asked him if Donald Trump ever replied to his tweet offering a rocket ship ride (he hasn’t) and he let out of one of his trademark chuckles. He takes direction well and laughed at my dumb jokes. Perfect subject. Before I knew it, an assistant was calling time and he thanked me and walked out. One of those mornings that are way too early and over way too quickly. Photographed for Welt am Sonntag, a German newspaper http://welt.de Big thanks to my assistant @jovellephoto too for her help. This is one of my last tear sheets of the year and it was an awesome time.
I had an awesome two-day assignment from The Verge last month to photograph Microsoft Game Studio’s Kudo Tsunoda and Shannon Loftis for a story about the XBOX One and new directions for Microsoft. Editor Michael Zelenko asked me to also capture the feeling of working at Microsoft’s Studio C, located on the company’s sprawling Redmond, WA campus. On both days the weather was pretty bad, as it tends to be in November around these parts, but I actually thought it signaled a kind of classic Washington vibe in the exterior shots. The story is a great read so make sure to check it out. Happy Holidays!
The electronic music duo Odesza is embarking on their second world tour after playing one of their first shows in a small college town just three years ago — their meteoric rise is profiled in a cool cover story from Seattle Weekly that I got to shoot a few months ago but is out this week. Clayton Knight and Harrison Mills graduated from Western Washington University around the same time that I did, so we had a lot to chat about and it was a fun shoot to do in downtown Seattle. These guys were super nice and very generous with their time, and the photos turned out great. Give their music a listen — jam out — and enjoy the rest of your week!
Opposing sides of the urban density debate | Roger Valdez and John Fox for Seattle Weekly | Seattle editorial photographer
Seattle is debating how to approach the issues of urban density and housing development and, reasonably, everyone has something to say. I was tasked with photographing two advocates on opposing sides for the Nov. 10 Seattle Weekly cover story. A interesting and thorough article by Casey Jaywork explains the topic much better than I can. And check out the cool illustrations by Art Director Jose Trujillo for the piece! Big thanks to Roger Valdez and John Fox for being generous with their time!
My colleague Matt Mills McKnight and I collaborated on a series of portraits of attendees at a Dia de Los Muertos event hosted by El Centro De La Raza in Seattle. We loaded in and taped up a black roll of paper in a nook of the jam-packed hallway and set up a few lights to enhance the spooky vibe. Matt found many great people to stop by the makeshift studio in the short time we had there. I focused on the beautiful makeup and I am grateful to everyone for welcoming us in.
It was a solemn but deeply moving experience to photograph this assignment for GX Magazine, the official publication of the National Guard, last month. Washington state National Guard Private First Class Jeffrey Freshour served for 10 days in the Oso area after a devastating and deadly mudslide destroyed a neighborhood in the foothills of the North Cascades region on March 22, 2014. A staggering 43 people were killed in the slide and recovery efforts lasted for weeks. The hardest part of serving there, Freshour said, was when his unit had to leave.
The London Daily Telegraph commissioned me to photograph Amazon CEO Jeff Bezos at one of the company’s offices down in the burgeoning technology hub of South Lake Union. Talk about a dream shoot! Originally I was only going to have 30 minutes to set up but after a flurry of emails I was very fortunate to be able to get everything dialed in well in advance of the shoot with my assistant, Dan Bassett. I really had no idea what to expect, but once Jeff walked in, he was great to work with, totally affable and easy to direct. I ended up having about as much time as originally granted, which when it comes to a CEO shoot, rarely happens. We moved between four setups in the 14-minute shoot and, when it was all over, Jeff shook my hand and thanked me. “You’re a master of efficiency,” he said.
Had a blast setting up a mini-studio inside the crowded and buzzing atmosphere of the Seattle Tattoo Expo for one of my oldest clients, The Seattle P-I. Photographer Joshua Trujillo gave me complete freedom on the direction of the work and I decided to go for a high-key, intimate vibe with the portraits.
Back in May I had a cover shoot from Seattle Weekly to photograph Gravity Pay CEO Dan Price at the payment processing company’s headquarters in Ballard. The story was held until now to be included in the Best Of Issue. When I photographed him, Price’s decision to offer a starting salary of $70,000 per year to all of his employees was met by an immediate deluge of international attention. He cut his own multimillion-dollar pay to be able to finance the move. Of course not everyone was happy with the announcement, but the business is seeing an increase in sales and Price says he stands by the principles of making such a transition: for all his employees to have an actual livable wage in the Northwest. Price was humble, present, and generous with his time, and had no problem posing for a few shots with the coffee cup prop we brought in. I gave it to him after the shoot! Assisting by Ian Bates.