On May 5th, the Donald Trump campaign announced they would be visiting the Northwest for two stops on May 7th: one all the way in Eastern Washington, and the other all the way in Lynden. I decided to head up to Lynden at the crack of dawn for the two-hour drive and make portraits of attendees and supporters as a personal project. When I arrived six hours before the rally, there were at least 200 people already in line, stretching down the street outside the Northwest Washington Fairgrounds. Pushing around a beauty dish on a rolling lightstand, I stopped to ask people to make their picture, while others would flag me down and ask what I was up to. I got lots of questions about who I was working for, where I lived, and what did I personally believe? Still, everyone was very accommodating and it was exciting to see the energy in the area even as supporters endured long lines and hours in the sun (fyi, I’m still sunburnt). It was a fun and historic day to document – the little town of Lynden will probably never entertain another presidential candidate, as many supporters noted.
Since I did not have press credentials, I was unable to bring my lighting or large digital SLR into the rally – and believe me, I tried Ahead of time, I obtained a free ticket into the event. I packed up my gear and retrieved the small Samsung NX500 point and shoot that I keep in my glovebox. I was able to bring that in fortunately and document the actual rally. As people waited and took selfies with friends, organizers played a handful of songs over and over. “Can’t always get what you want” by the Rolling Stones certainly seemed like an odd choice.
Got approached to do a cool shoot for my longtime client, Cityvision, last month, focusing on the innovative efforts of Everett to combat the issue of homelessness.
By opening new shelters and affordable housing, and stopping the revolving doors of the criminal justice system, Everett is finally doing something productive on the matter.
The magazine’s art director had coordinated access to do the shoot on top of the Wall Street Building in downtown Everett. In my naivety I thought, ok, we’ll get to the highest floor, pop out a roof hatch, and be shooting in no time.
photo by matt mills mcknight
But when we got to the 10th floor, the PR person let us know we went on foot from there. We emerged on a sub level of the roof, surrounded by a 6-foot-tall parapet. I couldn’t understand why we would do the shoot there — you couldn’t see anything. Then he pointed to the ladder. Did I mention I hate heights?
My assistant, Matt Mills McKnight, and I worked out a plan to get the lighting gear up to the actual roof. We packed two heads into the beauty dish case, which I put onto my back. Matt carried my camera bag. Then we held on for dear life. The most impressive part though is that all three of our subjects were game to participate and climb too. What troupers! If nothing else, this job makes for some very interesting bar stories. Many thanks to City of Everett Lead Prosecutor Hil Kaman, Deputy City Attorney David Hall, and Everett Mayor Ray Stephanson.
One of my last and favorite shoots of 2015 was to photograph Korea’s first female astronaut, Soyeon Yi, for Cosmopolitan.com. Yi made headlines in 2008 as she conducted research for 10 days at the International Space Station. Today she volunteers at The Museum of Flight here in Seattle. Big thanks to Soyeon for her time, my assistant Kyu Han for wheeling lights around, and The Museum of Flight for their gracious accommodation!
Back in May I had a cover shoot from Seattle Weekly to photograph Gravity Pay CEO Dan Price at the payment processing company’s headquarters in Ballard. The story was held until now to be included in the Best Of Issue. When I photographed him, Price’s decision to offer a starting salary of $70,000 per year to all of his employees was met by an immediate deluge of international attention. He cut his own multimillion-dollar pay to be able to finance the move. Of course not everyone was happy with the announcement, but the business is seeing an increase in sales and Price says he stands by the principles of making such a transition: for all his employees to have an actual livable wage in the Northwest. Price was humble, present, and generous with his time, and had no problem posing for a few shots with the coffee cup prop we brought in. I gave it to him after the shoot! Assisting by Ian Bates.
Seattle Weekly’s art director Jose Trujillo commissioned me for an awesome piece in the paper’s Best Of Issue that would send up the idea of The Wimps, which won Best Punk Band, as this exclusive, uptight group barely making room in their day for the story. As luck would have it, Matt, Rachel and Dave are actually nice people and were game for the idea: Jose wanted to have the band enjoying a spa day somewhere kind of dirty — could it be in an alleyway? I scouted a few hours looking for the right sketchy/usable spot. I checked out parking lots and back streets in Capitol Hill, SoDo, Georgetown, Pioneer Square, the ID and Ballard. With hours to the call time I managed to spot a perfectly questionable, graffiti-covered sidewalk with an absurd amount of garbage strewn about. I did a slow roll. There were boxes of beer upturned, bottles everywhere, and someone had gotten ahold of some chalk. I liked the spot immediately and wondered who would litter like that, then parked the car and waited for the team to assemble. Under some nice intense sunlight and with the help of Seattle stylist Tristan Weholt who sourced and staged everything else (and made a plate of guitar-shaped tea sandwiches and refreshing fruit-infused water to boot), plus the help of good friend Matt McKnight assisting, we got to work transforming this SoDo backlot into our makeshift alley spa.
Back in March I got a surprising phone call. It was about 6 in the evening on a Monday and a producer at North6 was searching for a photographer to shoot for a Google project. Where? A remote Alaskan town. When? That weekend. I half expected a radio DJ to burst out laughing on the other end. But the assignment was to photograph an aerial tour guide in Talkeetna, a few hours north of Anchorage, as part of Google’s state-by-state Economic Impact Report highlighting how small businesses use Google services. I hoped for a chance to fly around Denali, but alas, that shoot became impossible due to scheduling. But I stayed in touch with the client and fortunately there were opportunities to take on assignments for the project in far more familiar places.
I photographed Portland Meat Collective Founder Camas Davis in Oregon, then Sip & Ship Owner Diana Naramore in Seattle, and flew to Boise, Idaho, to photograph Tsheets.com Founder Matt Rissell on a quick there-and-back trip April 1st.
I had a great assignment from Seattle Weekly earlier this month to photograph Cary Moon, an activist and urban designer who opposes continued development of the Bertha tunnel project. For those not living in Seattle, the waterfront highway a.k.a the Highway 99 Viaduct, is being torn down and replaced with a tunnel. The project has been plagued with problems and delays, some technical, some bureaucratic — all expensive. Check out the story for a much more thorough peek into why this divisive issue matters so much. We battled the wind on top of Pier 86 in downtown for a view of the skyline and then moved to under the viaduct for another view of the city.
Thanks for looking,
It’s not every day that you get to see and hear a piece of history. Make that pieces. I got an assignment last week from KUOW to photograph Charles Corey, the 30-year-old caretaker of the Harry Partch instruments collection at the University of Washington School of Music. In a fun story by Marcie Sillman you can actually hear the renowned, intricate instruments. Partch created the instruments between the 1940s and 1970s, and they are based on the Just Intonation scale, not anything like what we are used to hearing from traditional instruments. You can find some really intense theatrical productions of Partch’s arrangements on Youtube too that help put his life’s work in context. He wasn’t just a composer and musician, he was also a playwright and auteur.
My first assignment for Seattle Weekly was this cover shoot for a sensitive story about Alison Holcomb and Gregg Holcomb’s unique histories. Alison was the writer and public face of Initiative 502, which legalized recreational marijuana in 2012 here in Washington. Her husband Gregg is the owner of the Capitol Hill bar Witness. Her story as a drug law reformer and activist for criminal sentencing reform intertwine with her husband’s tragic reality. His father was murdered. He is alone among his siblings in calling for rehabilitation for the murderer, and not a life sentence. There is so much more to this powerful story by Nina Shapiro, please give it a read.
I had a great opportunity earlier this Fall to shoot a story on Seattle’s coffee and chocolate culture for a Dutch travel/coffee/chocolate magazine called Koffietcacao. Over two long days, I had a blast exploring some of the city’s favorite shops, while also gathering images that spoke to the lifestyle in our city and captured a few scenic sights along the way. My mind raced after each day, it was impossible not to sample coffee at nearly every place I went. Have you ever had six cups of coffee in a day? I did it for….journalism. All in all, the publication ran my photos across six pages and even gave me a doubletruck opener! What more can a photographer ask for than a great assignment and great play?
Thanks for looking!