One of my last and favorite shoots of 2015 was to photograph Korea’s first female astronaut, Soyeon Yi, for Cosmopolitan.com. Yi made headlines in 2008 as she conducted research for 10 days at the International Space Station. Today she volunteers at The Museum of Flight here in Seattle. Big thanks to Soyeon for her time, my assistant Kyu Han for wheeling lights around, and The Museum of Flight for their gracious accommodation!
Back in May I had a cover shoot from Seattle Weekly to photograph Gravity Pay CEO Dan Price at the payment processing company’s headquarters in Ballard. The story was held until now to be included in the Best Of Issue. When I photographed him, Price’s decision to offer a starting salary of $70,000 per year to all of his employees was met by an immediate deluge of international attention. He cut his own multimillion-dollar pay to be able to finance the move. Of course not everyone was happy with the announcement, but the business is seeing an increase in sales and Price says he stands by the principles of making such a transition: for all his employees to have an actual livable wage in the Northwest. Price was humble, present, and generous with his time, and had no problem posing for a few shots with the coffee cup prop we brought in. I gave it to him after the shoot! Assisting by Ian Bates.
Seattle Weekly’s art director Jose Trujillo commissioned me for an awesome piece in the paper’s Best Of Issue that would send up the idea of The Wimps, which won Best Punk Band, as this exclusive, uptight group barely making room in their day for the story. As luck would have it, Matt, Rachel and Dave are actually nice people and were game for the idea: Jose wanted to have the band enjoying a spa day somewhere kind of dirty — could it be in an alleyway? I scouted a few hours looking for the right sketchy/usable spot. I checked out parking lots and back streets in Capitol Hill, SoDo, Georgetown, Pioneer Square, the ID and Ballard. With hours to the call time I managed to spot a perfectly questionable, graffiti-covered sidewalk with an absurd amount of garbage strewn about. I did a slow roll. There were boxes of beer upturned, bottles everywhere, and someone had gotten ahold of some chalk. I liked the spot immediately and wondered who would litter like that, then parked the car and waited for the team to assemble. Under some nice intense sunlight and with the help of Seattle stylist Tristan Weholt who sourced and staged everything else (and made a plate of guitar-shaped tea sandwiches and refreshing fruit-infused water to boot), plus the help of good friend Matt McKnight assisting, we got to work transforming this SoDo backlot into our makeshift alley spa.
Back in March I got a surprising phone call. It was about 6 in the evening on a Monday and a producer at North6 was searching for a photographer to shoot for a Google project. Where? A remote Alaskan town. When? That weekend. I half expected a radio DJ to burst out laughing on the other end. But the assignment was to photograph an aerial tour guide in Talkeetna, a few hours north of Anchorage, as part of Google’s state-by-state Economic Impact Report highlighting how small businesses use Google services. I hoped for a chance to fly around Denali, but alas, that shoot became impossible due to scheduling. But I stayed in touch with the client and fortunately there were opportunities to take on assignments for the project in far more familiar places.
I photographed Portland Meat Collective Founder Camas Davis in Oregon, then Sip & Ship Owner Diana Naramore in Seattle, and flew to Boise, Idaho, to photograph Tsheets.com Founder Matt Rissell on a quick there-and-back trip April 1st.
I had a great assignment from Seattle Weekly earlier this month to photograph Cary Moon, an activist and urban designer who opposes continued development of the Bertha tunnel project. For those not living in Seattle, the waterfront highway a.k.a the Highway 99 Viaduct, is being torn down and replaced with a tunnel. The project has been plagued with problems and delays, some technical, some bureaucratic — all expensive. Check out the story for a much more thorough peek into why this divisive issue matters so much. We battled the wind on top of Pier 86 in downtown for a view of the skyline and then moved to under the viaduct for another view of the city.
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It’s not every day that you get to see and hear a piece of history. Make that pieces. I got an assignment last week from KUOW to photograph Charles Corey, the 30-year-old caretaker of the Harry Partch instruments collection at the University of Washington School of Music. In a fun story by Marcie Sillman you can actually hear the renowned, intricate instruments. Partch created the instruments between the 1940s and 1970s, and they are based on the Just Intonation scale, not anything like what we are used to hearing from traditional instruments. You can find some really intense theatrical productions of Partch’s arrangements on Youtube too that help put his life’s work in context. He wasn’t just a composer and musician, he was also a playwright and auteur.
My first assignment for Seattle Weekly was this cover shoot for a sensitive story about Alison Holcomb and Gregg Holcomb’s unique histories. Alison was the writer and public face of Initiative 502, which legalized recreational marijuana in 2012 here in Washington. Her husband Gregg is the owner of the Capitol Hill bar Witness. Her story as a drug law reformer and activist for criminal sentencing reform intertwine with her husband’s tragic reality. His father was murdered. He is alone among his siblings in calling for rehabilitation for the murderer, and not a life sentence. There is so much more to this powerful story by Nina Shapiro, please give it a read.
I had a great opportunity earlier this Fall to shoot a story on Seattle’s coffee and chocolate culture for a Dutch travel/coffee/chocolate magazine called Koffietcacao. Over two long days, I had a blast exploring some of the city’s favorite shops, while also gathering images that spoke to the lifestyle in our city and captured a few scenic sights along the way. My mind raced after each day, it was impossible not to sample coffee at nearly every place I went. Have you ever had six cups of coffee in a day? I did it for….journalism. All in all, the publication ran my photos across six pages and even gave me a doubletruck opener! What more can a photographer ask for than a great assignment and great play?
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You know those color wheels, the ones with samples of every conceivable hue from Pantone? I got the chance last month to photograph Pantone Executive Director Leatrice Eiseman. She’s a color expert. American Way Magazine is the in-flight publication from American Airlines and they interviewed Lee for their monthly In-Brief column. My assistant and I hopped on a ferry over to Bainbridge Island to meet Lee at her beautiful home nestled in the woods. Her walls are covered with art and past interviews in prestigious magazines and books. We set up a white seamless and lights in her upstairs office, trying to not disturb the two designers working a few feet away at their iMacs. For the published shot, I asked her to hold a copy of Pantone’s new book about the role of color in fashion over the years. It’s not every day that I get to photograph people whose work has such an influence in my own personal field!
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This spring has kept me hopping and shooting a lot of new editorial and commercial assignments. I can’t share them all yet, but one came in late last month (for the first time ever via LinkedIn) to photograph Bill Gates being interviewed for a large Italian newspaper called La Stampa. The paper is launching a new series about global issues and the wide-ranging interview covered a lot of ground. I was allowed to shoot the first and last five minutes of the interview, for which La Stampa Editor-in-Chief Mario Calabresi flew in from Turin. It was a little surreal to be inside Bill’s office at the Bill and Melinda Gates Foundation and hear him speaking about everything from who his heroes are to what lies ahead for the newspaper industry. I did my best to be low-key and inconspicuous as I moved around and tried out different angles. Bill never acknowledged me, but I suspect he is very used to this kind of thing. At one point I was trying to line up a shot from his profile side and almost sat down in his chair — I caught myself and thought better of it. It was one of those crazy days planned for a week and all over in a matter of minutes, I am just happy to see it ran in print today.
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